Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Antonio Pollaiolo
SS.Vincent,james,and Eustace

ID: 29750

Antonio Pollaiolo SS.Vincent,james,and Eustace
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Antonio Pollaiolo SS.Vincent,james,and Eustace


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Antonio Pollaiolo

Italian Early Renaissance Painter and Sculptor, ca.1432-1498  Related Paintings of Antonio Pollaiolo :. | A winter landscape with skaters and kolf players on a frozen river, | Jupiter and Semele | Last Communion of St Lucy | Kohagen and sideboard liver in coexistence to omsesidigt benefit | Four Children and Breakwater |
Related Artists:
LIPPI, Filippino
Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
Stanislav Zhukovsky
one of the most known landscape writers in Russia.1873-1944
CORNELIUS, Peter
1824-1874,German composer. Trained as actor and violinist, and friend of artists, poets and writers, he devoted himself to music from the 1840s, finding inspiration in Liszt and the New German School at Weimar in 1852. His first mature works were the lieder opp. 1 and 2 and the song cycle Trauer und Trost op.3, followed by the comic opera Der Barbier von Bagdad (1855-8); all show his literary skill, refreshing simplicity and musical independence from the Liszt circle. In Vienna (1859-65), he wrote his second opera Der Cid and enjoyed fruitful relationships with Brahms, Carl Tausig and above all Wagner, who summoned him to Munich in 1865 as his private repetiteur and teacher at the Royal School of Music. His third opera Gunlöd was never finished. He continued to write poetry and essays defending Wagner and Liszt and translated vocal works by Pergolesi, Berlioz, Liszt and others. Although he revered Wagner, he stood ethically and artistically apart, his work (especially Der Barbier) thus representing an original achievement.






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